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John Ruskin: What Determines Greatness in a Work of Art, Part Two

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October 27, 2016

Sometimes nowadays it’s not fashionable to talk about one work of literature being better than another much less that any given work of literature might be GREAT while a similar work might be not so great. Especially when it comes to contemporary literature or fairly recent literature. Is Cormac McCarthy a great novelist? What about Larry McMurtry? Are either what we might call a Great novelist? Usually we just let the question alone.

Even when it comes to the writers in the Canon we generally just let matters rest where they are. Of course there was that time back in the old days of the Canon Wars when a hardy few even questioned Shakespeare’s and Milton’s greatness.

Still–we generally can’t let the question go. What determines greatness in literature? It’s a Big Question.

But maybe help is on the way. Or not. Anyway, I’ve been working with John Ruskin here in The Literary Life lately, and for the last two installments I’ve been examining what this great thinker of the Victorian era had to say about greatness. Don’t forget, here’s a guy who had a mental breakdown because he was afraid he wasn’t being taken as a Great writer.

So I’ve posted an excerpt from Ruskin’s Modern Painters where he tackles this Big Question. Then yesterday I posted Part One of this series. There I quoted Ruskin on what matters in determining Greatness. All that’s well and good, but: What things are we not concerned with in determining what great art is? Remember, Ruskin said, “It is not by the mode of representing and saying, but by what is represented and said, that the respective greatness either of the painter or the writer is to be finally determined….”

But then,  “I say that the art is greatest which conveys to the mind of the spectator, by any means whatsoever, the greatest number of the greatest ideas; and I call an idea great in proportion as it is received by a higher faculty of the mind, and as it more fully occupies, and in occupying, exercises and exalts, the faculty by which it is received.”

There you go. I hope that resolves all your questions. Of course there is the little matter of the “higher faculty of the mind.” A great idea, by which a work’s greatness is determined (and the more great ideas the better) can operate only on the “higher faculty” of your mind. So—do you have a higher faculty?

So, what makes a great writer or poet? Back to John Ruskin: “If this, then, be the definition of great art, that of a great artist naturally follows. He is the greatest artist who has embodied, in the sum of his works, the greatest number of the greatest ideas.”

You want to know which writer is greater than another? Add up the number of great ideas in each other’s work and compare them. Maybe I’m being a bit silly here and I apologize. Surely a work of literature that involves substantial ideas, substantial thinking, and that is received in a profound way by readers who really have a depth of mind that matters is a greater work of literature than another one that deals with less substantial thought. And the writer who in his or her whole body of work demonstrates such depth is greater than a writer whose work is less demonstrative of such. Right?

But what about works without such great ideas? What about comedy? (Shakespeare’s The Tempest?) Or farce? (Moliere’s A Physician in Spite of Himself?)

Or, what kinds of literary art in our time, I mean today, cannot be considered great (so says Ruskin) simply based upon their essential premise? Maybe fantasy? Or action thrillers? Cheap romance? I’d better stop before someone gets mad.

But, really, does John Ruskin have a point about what makes a work of literature GREAT. Is Ruskin correct? (Don’t forget the higher faculty of your mind when answering this question.)

I hope these discussions really make you think. I hope they are relevant to the literary life you lead. If you are new to The Literary Life blog click on #Big Questions in the tags and categories to see similar questions I have been treating this season and last.

If you like what you see be sure to sign up for the blog in your email.

Paul Varner

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