Let’s continue our series What is Art?, based upon ideas by the Russian novelist Leo Tolstoy. In the post last Saturday I showed how in Book V of What is Art? Tolstoy begins his definition process for what art is by establishing that art communicates feelings from the soul of the poet to the soul of the reader. Fine. But plenty of things communicate feelings from one person to another. “If a man,” Tolstoy says, “infects another or others directly, immediately, by his appearance, or by the sounds he gives vent to at the very time he experiences the feeling; if he causes another man to yawn when he himself cannot help yawning, or to laugh or cry when he himself is obliged to laugh or cry, or to suffer when he himself is suffering that does not amount to art.” Probably no one would disagree.
But what Tolstoy is going to do is make a distinction between what is art and what is not art on the basis not just of communication of feelings but on the basis of the sincerity of that communication of feelings one soul to another.
What, then, in our own time is not art, according to Tolstoy’s criteria?
What about popular romance novels? The reader certainly experiences feelings communicated by the author. At times the passionate feelings are intense. Are popular romances art?
What about Westerns and action novels? Don’t we feel the tension in the air as the moment of decision in the gunfight arrives? Don’t we thrill at the chase scenes? When the villain gets blown to smithereens by some clever stratagem of the hero, doesn’t our heart race? Are popular Westerns and action novels art?
What about Detective stories? The emotional rewards we feel in trying to solve the mystery before the author reveals all to us–Is this art?
Well, surely popular horror novels are art. Oh how our blood curdles as the sticky situations abound one after another. We even have nightmares from the feeling communicated by the author. Isn’t this art? Surely, Leo, you’ll grant us our horror novels, right?
No. All these fail to rise to the level of art because of the lack of sincerity or lack of genuine feeling communicated by the author. Everything we feel from these kinds of popular novels written for the market is contrived. Certainly, the authors have no genuine feeling.
I once had a laughing box that I bought at a novelty store. It had a battery and when you pressed the switch a little recording of maniacal laughter would begin. The laughter would grow in intensity the longer the switch was on. I kept it in my desk drawer at my office so that when a student would come in and want to question a grade I could pull out the laughing box. Well, that’s why I had it, but I never really pulled it out for that reason. The point is that I could switch on the laughing box and everybody in the room would start inevitably laughing. You just couldn’t help yourself. It was funny. That laughing box communicated feelings to its listeners. But was there any sincere emotion communicated?
Tolstoy would probably say most of the genre fiction I mentioned above falls short of his sincerity test. Actually, most literature falls short.
Is Tolstoy right? Let’s hear from you. Send in your responses.
Think about it.